Love-Lies-Bleeding by Don DeLillo
published by Scribner
112 pages
I had taken a small break from DeLillo after having read his most well known work,
White Noise. I was a bit disappointed with it and figured I needed some space, so to speak. Getting back into his work, I'm reminded why I love his prose and dialogue.
Of his three plays,
Love-Lies-Bleeding is the first and only I've read. It is sparse territory, taking place in the south western desert of the United States and contains only four characters/actors. The main character, Alex, is an aging artist who has just suffered from a massive second stroke and as such, is in a "persistent vegetative state." So his estranged son and ex-wife have come to convince his second, younger wife to let him die. Or help him die, which is the matter at hand. It examines issues of mercy, mortality, and what it means to actually live in this world.
Its language and dialogue are meditative. Those familiar with DeLillo will recognize his style instantly. Repetition. The naming of things. The dialogue that sounds natural but in reality, no one would ever say. The poetry of his words. It foreshadows
Point Omega both in its setting, mood, and tone.
Love-Lies-Bleeding doesn't differ greatly from his novels style-wise and it very well could have been just another one of his novellas. But his words still give me the chills.
Of DeLillo's 18 published works (excluding
Amazons by Cleo Birdwell), I have five works left. Three novels (
End Zone,
Great Jones Street, and
Ratner's Star) and two plays (
The Day Room and
Valparaiso).
