Books I got for Christmas (2009)

I usually get a handful of books for Christmas because, well, I like books. Here's what I got this year...

The Program Era: Postwar Fiction and the Rise of Creative Writing by Mark McGurl


Angels by Denis Johnson

Chuck Klosterman IV by Chuck Klosterman

White Noise (25th Anniversary Deluxe Edition) by Don DeLillo, Intro by Richard Powers
Proust and the Squid by Maryanne Wolf
Black Sabbatical (poems) by Brett Eugene Ralph

Review of : Exit Wounds by Rutu Modan

I grabbed this at the library on a whim. The art work is like nothing I've really seen before, yet not so foreign as to be distracting. She does some interesting things with her colors, and her display of water seems to stand out in my mind, which seems like an odd thing to remark on, I know. At times, Modan's art work has an almost child-like innocence which couples remarkably well with the serious subject matter: commonplace terrorism, death, complex love, fractured families, class, racism, and sexism.

The story centers around Kobe, a young taxi driver in Tel Aviv. One day, a young woman approaches him, telling him that she thinks his father has died in a recent suicide bombing. The narrative launches off from that point, Kobe trying to solve the mystery of his father's possible death and reconciling his bitter feelings toward aforementioned father.

There are some really great moments strung throughout the graphic novel and the last panel of the book left me feeling hopeful and terrified, which is how I imagine a lot of the Middle East must feel most of the time.

Top Ten Books I Read in 2009

I'm gonna give you two lists, actually. The books listed do not necessarily have a 2009 publication date and are listed in no particular order.

Top Five Fiction

1. American Salvage by Bonnie Jo Campbell- An excellent collection of short stories about Michiganders living on the fringe, trying to love and be loved in the midst of their shitty lives.

2. Clockers by Richard Price- The other side of the American dream. If you like The Wire, you'll love Price, but then again, if you like The Wire, you should already know Price.

3. Suttree by Cormac McCarthy- Roger Ebert considers this McCarthy's masterpiece and I'm inclined to agree. Dark, sad, funny, and contains some of the most beautiful passages I have read in the English language.

4. Pastoralia by George Saunders- Reading Saunders for the first time is the reason I keep looking for new writers. A brilliant collection of short stories full of grace, humor, and sorrow.

5. Oblivion by David Foster Wallace- I'd been putting off reading this collection, but it was everything I'd hope it would be. Classic Wallace though displays him evolving as well. Some of his funniest and saddest work.

Top Five Non-Fiction

1. Zeitoun by Dave Eggers- Eggers continues to push American letters into new realms. A devasting, frustrating, frequently hopeful look at the mess that was Hurricane Katrina.

2. Comfortably Numb by Charles Barber- An eye-opening look at Depression, SSRI's, and slimy Big Pharma.

3. Among the Thugs by Bill Buford- Oh, Buford, where have you been all my life? This book about English football supporters, explores the consciousness of the crowd from the front lines. Brave, insightful, disturbing, and funny as hell.

4. The Omnivore's Dilemma by Michael Pollan- Not much more needs to be said about this much beloved dissection of the contemporary American diet. It changed my diet (for now).

5. Smoke and Mirrors by Dan Baum- I haven't finished this quite yet, but I can already tell it deserves to be on this list. The history of the War on Drugs. Astonishingly detailed and well researched.

Honorable Mentions

Eating the Dinosaur by Chuck Klosterman
Asterios Polyp by David Mazzucchelli
2666 by Roberto Bolano
The Brief Wondrous Life of Oscar Wao by Junot Diaz
With by Donald Harington
Acme Novelty #19 by Chris Ware
Elegant Complexity by Greg Carlisle

Review of : American Salvage by Bonnie Jo Campbell

This collection of short stories absolutely destroyed me and I mean that in the best possible way. Bonnie Jo Campbell is my new favorite writer and it's a shame this didn't win the National Book Award. I suspect the reason it didn't was because it was labeled as 'too depressing', which for me, is a cop-out.

American Salvage is confrontational. Each story forces you to examine your own life and the lives of these Michiganders. In most cases, the characters are living in economical ruin, what would be considered poverty. They are people clutching onto the past, living day to day with what they have, but have hope for the future. Well, I saw hope in these characters and I think Campbell saw hope too.

Probably the most apt metaphor for the collection is the salvage yard, which takes center stage in King Cole's American Salvage. Campbell describes the catalytic converters that Johnny and his uncle save from broken down cars, "...mostly they were dirty and rusted from the slush and mud and road salt, but each of their bodies contained a core of platinum." These people are those catalytic converters, their lives covered in slush and mud, abandoned by society, living on the fringes...but at their core is something of value. They are still human beings, worthy of receiving and giving love. These are not bad people. They are just doing what they have to do to survive, to feel human.

There is a strong theme of redemption and forgiveness that runs through the stories that left me feeling hopeful for most of these characters. Each are searching for a modicum of redemption, something to absolve them from their lives, and in a handful of situations, redemption is achieved. Maybe not in the traditional sense, but these characters and their lives aren't traditional, so why should their redemption be?

I could go on for a few pages about the richness of American Salvage but I will just say: read it. Of the maybe 50 books I've read this year, this is Top Five. Personal favorites were The Yard Man, The Inventor, The Burn, Winter Life, King Cole's American Salvage, and Storm Warning...though all the other ones were magnificent too.

"Johnny nodded to Slocum, not in agreement with anything he was saying, but because he realized that the man was indeed a monster and that he was also a regular guy like Johnny, the same guy Johnny had talked to until four in the morning. Slocum was a screwup, the way Johnny was a screwup, only much worse. Slocum should go to prison for life, but that didn't mean hew was all that different from Johnny or anybody else." Pg. 128

Review of : Shoplifting From American Apparel by Tao Lin

It's easy to read Lin and conclude that he writes about nothing. I mean, that's what I was thinking half the time. But what is behind the 'nothing'. And what do I mean by 'nothing', because clearly he's writing about something. 'Nothing' is really a representation of the current twenty something generation (of which I am a part) that spends way too much time on their Macbooks (this is a Macbook on which I am typing)and talking on Gchat (of which I am also guilty...guilty? Why do I say guilty?).

The principle character is Sam, and from what I gather, Sam is a representation of Tao Lin, mostly because he said so on the inside book flap. Sam wanders through his life, "goalless", working his vegan restaurant job, going to parties, occasionally kissing girls, and yes, shoplifting from American Apparel (and not being very good at it). So. This is my generation. And I see some of myself in Sam; the goallessness, the ebb and flow of depression, the wandering, the estrangement from others.

Ultimately, SFAP left me feeling worn out. It didn't make me feel less alone because I had found someone else leading a similarly disillusioned life. It didn't make me feel motivated to change my circumstances. It didn't make me feel hope or even despair. It just left me feeling tired and ordinary. I think his writing style had a lot to do with the overall sense of exhaustion. And I can see that's how Lin's environment and life translates itself onto the page. He writes like he is looking at the world through the lens of a robot from a distant planet who happens to find himself moving through modern America. A robot that drinks a lot of smoothies. And not a clunky robot...a robot like Data from Star Trek: The Next Generation. Ya know, like, a highly advanced robot.

I will probably read a little more of Tao Lin to get a better perspective on his writing but Shoplifting From American Apparel gave me a pretty good idea about what I'm in for. And if he ever comes across this review, which it's very possible he might, I say to him, Tao, this is just my weak opinion. What do I know? My brain moves slowly compared to your highly advanced robot brain. Disregard all of the above.

Review of : City of Glass (Graphic Novel) by Paul Karasik & David Mazzucchelli

I'm guessing this was really hard to adapt to the graphic novel medium. City of Glass (the orignal story) is just so bizarre and looping and metaphysical and mysterious. But David Mazzucchelli (and Paul Karasik) pull it off beautifully. I wouldn't use it as a substitute for Paul Auster's story but more as a sister-text. It enriches the original piece but I would imagine first time readers would be very confused. Mazzucchelli continues to kick illustrative ass.

"Night and day were no more than relative terms. At any given moment, it was always both."

Review of : Of the Farm by John Updike

This is my first Updike novel. I forget where I had come across this recommendation. So...successful city man and his new wife and step son visit his childhood farm where his kinda-dying widowed mother still lives. I say "kinda-dying" because it's implied that she's on the way out, though no illness is mentioned. Old age?

A gentle introduction into Updike's world, though from what I can gather, Updike made his career on chronicling suburban disillusionment and the despair of the American dream (and writing about sex I guess, which is why a lot of people hate him...or why a lot of people love him). So this slim novel would seem set a part from all that. Well, sex is sprinkled about, hither and thither. I think that's the first time I've ever typed "hither and thither." I might dip my toe into the "Rabbit" quadrilogy, see what all the fuss is about.

Review of : Among the Thugs by Bill Buford

This book is awesome. No, like really. It inspires awe. Bill Buford sets out to grasp some kind of understanding of the crowd...more specifically, English football supporters. This research, as far as I can tell, takes place in the early 1980's through the early 1990's.

Buford befriends several "hooligans" or "thugs" or "supporters" or whatever you want to call them. They are the devoted. The violently devoted. They live for the weekend, when football matches take place, and they can terrorize the small towns of England as a roaming mob, all in the name of football and country. Not wanting to stand on the outside, judging the mob, Buford wants to know what motivates these relatively "normal" English citizens to behave so violently towards opposing supporters and in some cases, innocent bystanders.

Buford becomes a figure lost in the crowd, participating as much as he dares. He begins to understand, or think he understands, a motivation which comes down to something as simple as: it's exciting, almost euphorically so. Becoming a mob has a drug-like high attached to it. But as the text moves on (beautifully so, I might add, never a dull moment) Buford becomes exhausted by the senseless violence and destruction he witnesses and realizes the stupidity of it all.

I don't want to spoil too much, but Among the Thugs is a remarkable meditation on the consciousness of the crowd and Buford is one bad-ass writer.

"A crowd creates the leaders who create the crowd..." pg. 282